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Hey,

I have been trying to figure out this problem for a few days, can't figure it out in a web search, so I thought I'd ask here. Have no idea if anyone here can help me out, but here goes nothin...

Our flash works on some of our pages in IE. It works fine on all pages on every other browser (Firefox, Safari, Opera, Chrome). The pages it doesn't work on in IE are jalbums that we upload with pictures. Our site is http://www.models4tradeshows.com, and an example page of the jalbum is http://www.models4tradeshows.com/chicago...odels.html. We have been trying to figure out the problem for days to no avail, maybe a fresh set of eyes would help. Oh, and the chessy music that you may here on the home page has to go to, haven't mastered that yet either. Thanks for any and all help!

Internet silliness yes, but fun nonetheless: http://illcommunication.beastieboys.com/#/sabotage


Here's mine

The guest was Emmanualle Chriqui...not sure what she's on, and they didn't really discuss it. She's Canadian so the first question was do you like hockey...and the second one was do you like The Tragically Hip? She said yes...and Jimmy said he's a fan...but not quite a big fan. The other guest, Will Arnett (also Canadian) mentioned Blow at High Dough...but he didn't really seize the moment to discuss the band. Kind of cool to hear Jimmy's a fan...maybe an appearance just might happen down the road...

http://www.myspace.com/tenclub

Thoughts? Very Springsteen-esque. Screw it, it's crazy good. Can't wait t'see the opening night of the tour in Seattle...

Forty years since a man first walked on the moon.

Forty-two years since a Toronto captain last grasped the Stanley Cup.

Both named Armstrong


happy monday.

:thumb:

I am looking for one if not two tickets for the Sept. 26th show in Ottawa.

I need one ticket for the London show. If any one can help I`ll buy you a beer at the show!

New album was produced by Greg Keelor. They're currently streaming 3 songs from the album on their website, and they sound amazing:

<!-- m --><a class="postlink" href="http://cufftheduke.ca/index.htm">http://cufftheduke.ca/index.htm</a><!-- m -->

Upcoming tour dates:

SUN AUG 09 Toronto- CNE Bandshell- Ticket Info soon
SAT SEP 12 Windsor- Blind Dog- Ticket Info soon
THU SEP 17 Winnipeg- Royal Albert- Ticket Info soon
FRI SEP 18 Saskatoon- Amigo's- Ticket Info soon
SAT SEP 19 Calgary- Broken City- Ticket Info soon
SUN SEP 20 Calgary- Broken City- Ticket Info soon
TUE SEP 22 Edmonton- Pawn Shop- Ticket Info soon
THU SEP 24 Vancouver- Biltmore Cabaret- Ticket Info soon
FRI SEP 25 Victoria- RifflandiaFest- Ticket Info soon
SAT SEP 26 Kelowna- Habitat- Ticket Info soon
TUE SEP 29 Thunder Bay- C2- Ticket Info soon
WED SEP 30 Sault Ste Marie- LopLops- Ticket Info soon
THU OCT 01 Sudbury- Townhouse- Ticket Info soon
FRI OCT 02 Kingston- Grad Club- Ticket Info soon
SAT OCT 03 London- Call the Office- Ticket Info soon
THU OCT 15 Hamilton- Casbah- Ticket Info soon
FRI OCT 16 Toronto- Horseshoe- Ticket Info soon
SAT OCT 17 Toronto- Horseshoe- Ticket Info soon
THU OCT 22 Peterborough- Montreal House- Ticket Info soon
FRI OCT 23 Ottawa- Babylon- Ticket Info soon
SAT OCT 24 Quebec City- Le Cercle- Ticket Info soon
TUE OCT 27 St. John's- The Rock House- Ticket Info soon
THU OCT 29 Halifax- Paragon- Ticket Info soon
FRI OCT 30 Charlottetown- Baba's- Ticket Info soon
SAT OCT 31 Fredericton- The Capital- Ticket Info soon

<!-- m --><a class="postlink" href="http://www.daytrotter.com/dt/sam-roberts-canadas-great-bear-lake-in-rock-and-roll-man-form-concert/20030766-3738146.html">http://www.daytrotter.com/dt/sam-robert ... 38146.html</a><!-- m -->
Nice write up and 5 recordings from a studio in Texas.

Setlist:
1. Detroit '67
2. Them Kids
3. Love At The End Of The World
4. Hurry On Sundown

And the Write up:

The current issue of Esquire magazine at the time of this taping of Sam Roberts in Austin, Texas, during the middle of March at the South By Southwest music conference featured the nicest and most complimentary article written about a man and his band in the last decade. It was falling all over itself in very acceptable ways. It had a valid point and it made its ringing endorsement for the Canadian who has been bigger than hockey and the Great Bear Lake in our neighbor to the north for years and years, winning all kinds of Juno Awards and selling many, many, many records. Writer Andy Langer wrote this of the lightly bearded, handsome and talented Roberts, "He sounds like a guy who's not going to be satisfied being big just in Canada. In a sea of cookie-cutter download-today, gone-tomorrow rock stars, originality, ambition, and honesty go a long way. He'll make you evangelical about rock, because this is what it's supposed to sound like." Roberts blushed a bit when the piece was mentioned, but he graciously appreciated all the bluster and hoped that it would help his emergence as the same kind of star in the U.S. as he enjoys in his home country. It's not an easy thing to attain - this American amore - for some reason. Most who live in this country and share the long and winding highways with us are fickle people, willing to play Frogger with their favorite groups, perhaps more than they'd like to admit, shuffling off to the next flavor of the week or even just sticking with the easy tastes, those handed to them by the dint of no work whatsoever, just lazy passivity. There's a lot of that around these parts - the arousal from nothing, the support of nothing that takes real effort. Oh, it's very silly, but it is what it is. Roberts deserves this effort out of a country that eats up things like Taylor Swift and Asher Roth but lets Richard Swift and Cass McCombs age away, rotting a little, far as they are away from ubiquitous status and the tips of tongues. Roberts makes arena rock anthems that can be played huge and bushy, giving us reasons to reach into our pockets for lighters and for twenty more dollars for two more over-priced beers because, what-the-hell we're having a great, great time here with this guy who doesn't clobber us over the head with predictable songs, but ones of considerable texture and craft. It's rock and roll that is hooky and yet showcases very astute attention paid to not just going to those kills, but instead Roberts packs his punches by being versatile and giving, playing into what seems to be a very diverse love for all forms of song. On his latest album, "Love At The End Of The World," Roberts sounds all kinds of different from one song to another, delivering a song with a vintage southern swagger, but sounding a touch like Elvis Costello or Paul McCartney while doing it on "Fixed To Ruin." He sounds like the kind of thumping and cross country roadhouse music of Bruce Springsteen and The Hold Steady elsewhere, gives off a classic barnburner in the albums gloriously big and resounding title track and just keeps the arbitrariness going throughout. He sings, "The kids don't know how to dance to rock and roll," and that might be an indication for the lower 48 more than he'd care to admit publicly. He goes on, "We live the hustle, the keepers of the backbeat," and that seems to be exactly where Roberts lives - in that hustle and backbeat, giving himself over to the rock and roll sounds that he goes mushy for and it should be all we need to give him the time of the day and some hard-earned attention.

Remember for everything SRB be sure to check out Chris' SRB forum, <!-- w --><a class="postlink" href="http://www.bangkoktobabylon.com">www.bangkoktobabylon.com</a><!-- w -->

Enjoy...

Walter Cronkite, longtime CBS anchorman, dies at 92

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