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In case this hasn't been mentioned yet, if you open your deluxe Hipeponymous "booklet/case" and look on the page after the table of contents, there are some lyrics written.
One set goes like this,
"Here's a world container
with your name on it
it is not a billion ways
to go berserk
It's not a country
that quits on you
(always at dinner)
there'sno himmler
on this one
there's no dessert."
Perhaps these are the lyrics to one of the songs on the new album (or more likely an earlier version of the lyrics to a song on the new album).
The Tragically Hip has finally let the world in on the title of the group's forthcoming album. Gord Downie and Co. have decided on World Container as the follow-up to 2004's studio effort In Between Evolution, according to the band's official website (thehip.com).
The album is set to arrive in Canadian stores on Oct. 17, while the first single, In View, will hit Canadian radio in two weeks.
World Container was produced by Bob Rock, whose extensive credits include Metallica, Bon Jovi, The Cult, Bryan Adams, Simple Plan and The Tea Party.
More details of the release as well as tour plans are expected in the coming weeks.
In case you missed it:
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WARNING: it's Kevin Federline... live...
Rory
Halifax
Can't seem to find my disc where I saved their set...
I know there's alot of grappling fans here on the base, I found this old nugget on YOutube, as far as i'm concerned this old stuff was the most entertaining wrestling, if you find some good matches post it here
Wargames 87
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My brother and I have been having trouble figuring out a line from a Poets rant. This version of Poets is from London Ontario in 2004, which was available on livedownloads.com
"...I was walking down the sidewalk just like a like a ????????? I didnt know what i was thinking i didnt know where i'd go i didnt know where id be i didnt know where i was, oh thats what your town does to me almost nightly..."
This part of the rant begins at about the 4:50 mark. Is there a kind soul out there that could shed some light on this situation?
New Album!!!!!!!!!!!!!!!
Are we ready for this or what?
It'll be well worth the wait.
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once again, much thanks to Chris and the HipFans.com crew for providing an outlet for the ron hawkins fans.
********************************************************
Ron Hawkins Acoustic Revue
February 11th, 2006
Karpeles Manuscript Museum
Buffalo, NY
Source: Schoeps MK4(ORTF)->KCY->VMS 02 IB -> R1 (24/41)
Transfer: Adobe Audition 1.5 (fade in/out, 24->16 MBIT + dither)->cd wave->flac
Taped by: Daniel Godwin (<!-- e --><a href="mailto:daniel@upstatetapers.org">daniel@upstatetapers.org</a><!-- e -->)
Transferred by: Daniel Godwin (<!-- e --><a href="mailto:daniel@upstatetapers.org">daniel@upstatetapers.org</a><!-- e -->)
NOTE: This is the edited version. Ron Hawkins has allowed me to share this recording on the basis that I don't include the new songs to be featured on his forthcoming album. Those songs have been removed from this torrent. They will be torrented separately once the album is released, along with a separate torrent which consists of the entire, unedited set.
The Ron Hawkins Acoustic Revue is:
Ron Hawkins
Alex McMaster
Lawrence Nichols
Sarah Shugarman
Setlist:
01. Peace and Quiet - NOT INCLUDED
02. Everywhere and Nowhere
03. Crackstatic
04. Lulu
05. Winter Sleepers
06. Someone Else's Baby Now (false start)
07. Someone Else's Baby Now
08. A Brief History - NOT INCLUDED
09. 4 O'Clock Stop
10. Turpentine
11. Darkhorse
12. Anonymous - NOT INCLUDED
13. Airports of the World
14. Flicker - NOT INCLUDED
15. Bit -> Blur
16. Bleed a Little While Tonight
17. Rumours and Whispers
encore 1:
18. Be My Alibi
19. Born To It - NOT INCLUDED
encore 2:
20. City Full of Cowards
21. Small Victories
Notes: Thanks to Ron for permission to tape. Recorded approx 10 ft from left stack. Everytime someone walks between the stack and the mics, you hear the recording go out of phase if you've got headphones on. Some unknown sourced static/distortion starts around the 27 minute mark, but doesn't last the whole tape.
Questions, email me: <!-- e --><a href="mailto:daniel@upstatetapers.org">daniel@upstatetapers.org</a><!-- e -->
***********************************************************
Latest news from ANTI Records (Tom's label):
TOM WAITS TO RELEASE 3CD SET --ORPHANS: BRAWLERS, BAWLERS AND BASTARDS— NOVEMBER 21 ON ANTI.
WAITS JUST CAME OFF EXCEEDINGLY SUCCESSFUL AND SPECTACULAR 9 DATE TOUR OF THE SOUTH AND MIDWEST CLIMAXING WITH FIRST CLUB DATE IN 3 DECADES AT CLEVELAND’S HOUSE OF BLUES.
The one and only TOM WAITS is set to release a 3CD set titled ORPHANS: BRAWLERS, BAWLERS AND BASTARDS. It’s a wide-ranging collection of 54 songs, including 30 new recordings, equaling over three hours of rare and never-before heard music with a 94 page booklet.
“Orphans are rough and tender tunes. Rhumbas about mermaids, shuffles about trainwrecks, tarantellas about insects, madrigrals about drowning,” says Waits. “Scared, mean, orphans songs of rapture and melancholy. Songs that grew up hard. Songs of dubious origin rescued from cruel fate and now left wanting only to be cared for. Show that you are not afraid and take them home. They don’t bite, they just need attention.”
Each of the three CDs is separately grouped and sub-titled – “Brawlers,” “Bawlers” and “Bastards” – to capture the full spectrum of Waits’ ranging and roving musical styles. “Brawlers” is chock full of raucous blues and full-throated juke joint stomp, “Bawlers” contains Celtic and country ballads, waltzes, lullabies, piano and classic lyrical Waits’ songs, while “Bastards” is filled with experimental music and strange tales.
In addition to the new work, Orphans features a number of tracks finding a home on a Waits’ album for the first time - songs originally recorded for the cinema, the theatre and other projects. They include Waits’ unique interpretations of songs by such extraordinarily diverse talents as The Ramones, Daniel Johnston, Kurt Weill & Bertolt Brecht, Leadbelly, Kerouac and Bukowski.
As for his latest tour, which took him from Atlanta, Asheville, NC, Memphis, Nashville, Louisville, Chicago, Detroit, Akron to Cleveland, where Waits played his first club show in nearly 30 years at the House Of Blues, all shows sold out within minutes. Some of these cities
Waits had not performed in for over 30 years and it was his first foray into Asheville. Needless to say, the audiences were nothing short of ecstatic at each and every gig and the reviews reflected the fans passion.
Greg Kot of the Chicago Tribune observed: “Everything about Tom Waits is done with theatrical flair, no expensive props required…In the broadest sense, he is a singer-songwriter, but he is also a genre unto himself…Waits is a defiled saloon singer who turns songs into noirish cinema, little movies about the human condition. When he aims his magnifying glass at the shadows, he inevitably comes up with some amazing discoveries. The human race, it turns out, has a lot of dirty little secrets, unspoken passions, unrequited desires. Waits’ songs give voice to them all, and he finds poetry in even the tawdriest details.”
Fred Mills of Harp magazine described Waits as “a voodoo shaman,” also proclaiming, “There wasn’t a single aspect of the show that could be considered inconsequential.” The review ended by declaring, “Yessir, we did—witness an astonishingly pure expression of artistry…And there he is in the center of the frame, Tom Waits. Jumping right off the screen and straight into our f**king laps. That’s rock ‘n’ roll baby—the IMAX version.”
Peter Gilstrap of The Tennessean noted: “Even back in the ancient pre-country days when the holy structure was an actual church, it’s hard to imagine a more passionate sermonizer gracing the boards than Waits…Where more conventional musicians might use plain old numbers to count off a song, Waits has no problem with setting a tempo via huffs and snorts, sounding like a shaman with emphysema in full chant…A few songs in, the band left the stage, as a piano was wheeled out. With nothing more than 88 keys and a baby blue spotlight, Waits sat down, removed some of the gravel from his voice and turned the auditorium into an intimate nightclub. ‘Tom Traubert Blues’—with its echoes of ‘Waltzing Matilda’-was simply a moving thing of beauty…”
Meanwhile, marking his first release since 2004’s Real Gone, Orphans was again produced by Tom Waits and Kathleen Brennan (his wife and long time collaborator), who were recently named #4 in a recent Paste magazine collector’s edition naming the “100 Best Living Songwriters.” According to the magazine, “In literature, only a handful of writers have pulled off the near impossible. In music, it happens on every Tom Waits recording.”
Throughout his entire and lengthy critically acclaimed musical career--which has garnered him two Grammys, plus several other nominations, including an Academy Award—Waits and his fevered imagination have managed to keep evolving with each new disc on his more than 20 recordings. The only genre Tom could possibly be placed in would, literally, have to be his very own category—Waitsian.
Tracklisting:
BRAWLERS
01. Lie To Me
02. LowDown
03. 2:19
04. Fish In The Jailhouse
05. Bottom Of The World
06. Lucinda
07. Ain't Goin' Down To The Well
08. Lord I've Been Changed
09. Puttin' On The Dog
10. Road To Peace
11. All The Time
12. The Return Of Jackie and Judy
13. Walk Away
14. Sea Of Love
15. Buzz Fledderjohn
16. Rains On Me
BAWLERS
01. Bend Down The Branches
02. You Can Never Hold Back Spring
03. Long Way Home
04. Widow's Grove
05. Little Drop Of Poison
06. Shiny Things
07. World Keeps Turning
08. Tell It To Me
09. Never Let Go
10. Fannin Street
11. Little Man
12. It's Over
13. If I Have To Go
14. Goodnight Irene
15. The Fall Of Troy
16. Take Care Of All My Children
17. Down There By The Train
18. Danny Says
19. Jayne's Blue Wish
20. Young At Heart
BASTARDS
01. What Keeps Mankind Alive
02. Children's Story
03. Heigh Ho
04. Army Ants
05. Books Of Moses
06. Bone Chain
07. Two Sisters
08. First Kiss
09. Dog Door
10. Redrum
11. Nirvana
12. Home I'll Never Be
13. Poor Little Lamb
14. Altar Boy
15. The Pontiac
16. Spidey's Wild Ride
17. King Kong
18. On The Road
Retire or don't retire. Just make up your mind! I love it. This guy had a big retirement party and now may end up playing this upcoming season. It's a joke.
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